Music is transcends more than beyond thethe most brilliantest mind.

"trascend" already means "go beyond"

The sum of the time that is this life in some moments contains the composition Some moments in the amount of time in this life contain harmony that a brilliant mind could to produce if the talent is abundant in his still rich lifeone has enough talent.

Making shorter sentences would make them a lot easier to understand and correct.

I contemple sometimes if I have the possibility to interpretsometimes think about what I would do if I could choose an instrument of music, andwith no boundaries stop me, then Iping me. I would choicose the fiddle simpley because it seems to me that percussion and strings marry so beautifully, and no havebecause there is no comparison in the universe of the strings and the wind instruments, and the percussions.

The director of the branch where I work for my life has more than frequent times sonatas play out of the ceiling speakers with MOZART and RACHMANINOFF, andrequently plays sonatas by Mozart and Rachmaninoff from the ceiling speakers. I know this only because he is fans ofenjoys CD’s and leaves his boxes above thehis desk andso you can to see whenthem when you enter the room.

I no have idea of the motions or the keys the artist isthe artist makes or the keys they press when they performs the songs, but they catch something full ofevoke some contemplatoryive exploration of the self in all the peoples around the in the nearby cubicles that. I can only namedescribe it as transcendingent.

I have the good fortunate to working with peoples who are very, very intelligents; and no one hascan resistance for the magic the speakers spill in the ears of all in thereout into everyone's ears.

And mMany times I have discover that in my thinkings I welcome the fantasy of toed myself fantasizing about playing the fiddle, and I think that perhaps I could to do that in another reality.

And iIt is simple to lendgive the mind wanders inover to thoese fantasyies because ithe music has that aeffect the music, and many a other workers have confidential tod in me that they also fly in they’re minds when the director pre programs the changes that the music experiments all days, for to the sonatasir minds also take flight when the director puts on sonatas all day.

Maybe the others have more finely-tuned ears and can say the other instruments that the conductor conduces while the playing is happening,tell which instruments are being used: maybe a piano, and even a long black flute that produces music similar to saxos, and alsophones; and maybe they also connect to the sentiment and, in their thinkingsimaginations, also adopthave fantastic visrtuoso skills; and they play and play at the tempo ofgiven by the conductor,; and they never lossdrop a note, or a key, and if this is so, perhaps theywe all and I play togethering in the, imitations ofng the sounds of natures.

In the moment of the writing of this thinkingthese thoughts, the music changes with no warnings and in the sudden. Coincidentally, it is the coincidence that is PEARL JAMPearl Jam, and I know this because the worker two cubicles to my six o cloback puts up his hand in the symbol of rocka rock-and-roll symbol and stands up, and rices to petmitllowing every one to see his t-shirt and like cosmic divine inventions the tshirt is red and black and it says ared and black tee-shirt that reads "Alive" and PEARL JAM is on it"Pearl Jam".

And in the middle of all of us are likers of RAEGGAETON or SALSA or POLKA or COUNTRY or ROCKAmong us are people who like reggaeton, salsa, polka, country, and rock; and inI person I consume the BLUES more time than othersally enjoy the blues most of the time, but we all kick it together to the rhythms of PEARL JAM and tearl Jam. The transcendental transfiguration of minds and bodies in the branch commences tooffice occurs again, and the fiddle is put down tolaid on the metaphorical floor and the metafisicalin favor of an electrical guitar comes to me and a lie down r. Riffs and chords to make a long solo, and all playin come the drums now, and lowbass guitars, and I know because we all look like a metronomical compostion of heads that baes, our heads banging to the bieat and never loss a bit, and ling it. Like that, the endless mix track ofrom the directors’s spills music into our ears from eclectic realms but mash inand leads to the only possible end, which is that music isas a connection and by. Through that connection to all, for all, from all, and by all, we transcend beyond the most brightest in all of us and are no longer individuals but all collective contributeing to the rich unity thatof this floor inof this branch ise office.

Please write shorter sentences! It's very hard to parse these long sentences. It seems to be your writing style, but if readers have a hard time understanding what you're writing because your sentences are too long and tangled, then it's not effective.

A little while time ago, on a fantastical day we transcendsed to connection in the kingdom of music when we gather together fell into the supernaturals flow of SUMMER DAYS"Summer Days" bye MARTIN GARRIX AND MACKLEMORE AND FALL OUT BOY because wartin Garrix, Macklemore, and Fall Out Boy. We all waveingd our heads together to the motion of the sounds that spilled ontover us.

No one perhaps assumePerhaps nobody seems to be aware of this because we all have jobs to do, and the papers oin theour cubicles waits to for no one, but I do and it gives a printam aware, and it sticks in themy memorys I keep.

And in thisWhile reflectiong ofn thinkings I understands, I realize that the director is giving us the pure gift of music, and with that has merged us into a fusion of collectivale intelligences that no longer acts alone individually bu, but that functions as a system stemmings in this branch that other wise in nothing can to become a comtemplatory desteny for the sum of all of us, but a company of services like all others around the world.in this office.¶
¶
(I can't understand this sentence past this point)

We know best, and you now know best too.

It is an attributione of the music, but more for the director because in a very farthering way he is the conductor that moves the branchoffice to the most highest levels of productivitiesy with the sound of music.

I call this the transcendention of music behavioring more than beyond thece of the most brilliantest mind by music.

Music is transcends more than beyond the most brilliantest minds.

I contemple sometimes if I have the possibility to interpret an instrument of music, and no boundaries stop me, then I choice the fiddle simple because it sees to me that percussion and strings marry so beautiful and no have comparison in the universe of the strings and the winds, and the percussionssometimes contemplate if I can ...

I couldn't correct the entire sentence because I had some trouble understanding what you wanted to say.

The director of the branch where I work for my life has more than frequent times sonatas play out of the ceiling speakers withrequently plays MOZART and RACHMANINOFF, and I only know this only because he is fansI can see the stack of CD’s andthat he leaves his boxes above the desk and you can to see when enter the roomon top of his desk.

I have theam fortunate toenough to be working with peoples who are very, very intelligents and no one has resistance for the magic the speakers spill in the ears of all in therene of them can resist the magic and beauty that comes out of those speakers.

More natural. People already includes more than one person so we don't say peoples

Music is transcends more than beyond theeven the most brilliantest mind.

The sum of the time that is this life in some moments contains thea harmonious composition in harmony that a brilliant mind could to produce if the talent iwas abundant in his still -rich life.

I wasn't certain what this part meant, but I have tried at least to correct the grammar and make it clearer.

I contemple sometimes wonder, if I haved the possiability to interpret an musical instrument of music, and no boundaries to stop me, then I'd choicose the fiddle simpsimple fiddle because it seems to me that percussion and strings marry so beautifully and no have no comparison in the universes of the strings and the winds, and the, winds or percussions.

"contemplate" sounded a bit too formal here. "Ability" seemed more appropriate than "possibility" because you're talking about something you want to be able to do. I wasn't sure what "interpret" meant here so I left it, but a word like "master" might better convey your meaning. Otherwise I have fixed some typos and minor errors (e.g. noun "choice" to verb "choose", adjective "beautiful" to adverb "beautifully").

The director of the branch where I work for my life has more than frequent timely has sonatas playing out of the ceiling speakers, with MOZART and RACHMANINOFF, and. I know this only because he is a fans of CD’s and leaves his boxes above the desk, and you can to see whenthem when you enter the room.

Split the sentence in two because it was very long. After modal verbs like "can" (and others like "will", "would", "might", "should") you should drop "to" from the infinitive, so "can see" rather than "can to see".

I no have no idea of the motions or the keys the artist is performsing the songs in, but they catch something full of contemplatory exploration of the self in all the peoples around the cubicles that I can only namecall transcending.

I have the fortunate to working with peoples who are very very intelligents and no one has any resistance forto the magic the speakers spillpour into the ears of alleveryone in there.

And many times I have discovered that in my thinkings that I welcome the fantasy of to playing the fiddle, and perhaps I could to do that in another reality.

After "of", it's always the "-ing" form of the verb used, not the to-infinitive.

And it is simple to lendt the mind wanders into those fantasyies because ithe music has that aeffect the music, and many aof the other workers have confidentiald to me that they also fly in they’reir minds when the director pre -programs the experimental changes thatin the music experiments all days, for into the sonatas.

I wasn't sure what the part of the sentence after "the director pre programs..." meant, so I've made my best guess.

Maybe the others have more finer ears and can sayname the other instruments that the conductor conducesis leading while the playing is happening, maybe a piano, and even a long black flute that produces music similar to saxoes, and also maybe they also connect to the sentiment and in their thinkmingds also adopt fantastic visrtuoso skills and play and play at the tempo of the conductor, and never losse a note, or a key, and if this is so, perhaps they all and I play togethering in the imitations of the sounds of natures.

InAt the moment of the writing of this thinkingthat I am writing these thoughts, the music changes with no warnings and in the suddenly it is the coincidence that i's PEARL JAM and I know this because the worker two cubicles to my six o 'clock puts up his hand in the symbol of rock and stands up and ricses to petmitallow every one to see his t-shirt and like a cosmic divine inventions the t-shirt is red and black and it says "alive" and "PEARL JAM" is on it.

And in the middle of, all of us are likers oflike RAEGGAETON or SALSA or POLKA or COUNTRY or ROCK and in person I consume thelisten to THE BLUES more timeoften than the others, but we kick it together to the rhythms of PEARL JAM and t. The transcendental transfiguration of minds and bodies in the branch commences to occurstarts happening again and the fiddle is put down ton the metaphorical floor and t. The metafisical electrphysical guitar comes to me and a lielays down riffs and chords to make a long solo and all playeveryone plays the drums now, and low guitars, and I know this because we all look like a metronomical composition of heads that bang to the bieat and never losse a bit, and leat. Like that, the endless mix track of the directors’s spill's pours music into our ears from eclectic realms but mash in the only possible end, which is that music is connection and by. In connection to all, for all, from all, and by all, we transcend beyond the most brightest in allpart of each of us and are no longer individuals but all collective, contributeing to the rich unity that this floor in thise branch is.

A little while time ago, on a fantastical day, we transcendsed to connectiong in the kingdom of music when we gathered together to the supernaturals flow of SUMMER DAYS bye MARTIN GARRIX ANDand MACKLEMORE ANDand FALL OUT BOY because we were all waveing our heads together to the motion of the sounds that spillpoured onto us.

No one perhaps assumePerhaps no one appears to be aware of this because all have jobs to do, and the papers on the cubicles waits to for no one, but I do and it gileaves a n imprint in the memoryies I keep.

I wasn't certain what "assumes" meant here, but I've guessed you're talking about no one giving off an outward appearance of the effect the music is having, and have chosen "appears" accordingly.

And in this reflection of thinkingsng on my thoughts, I understand that the director is giving us the pure gift of music and with that has merged us into a fusion of collectivale intelligences that no longer acts alone individually but functions as a system stemm, resultings in this branch that, which is other wise in nothing can, being able to become a comntemplatory desteiny for the sum of all of us, butinstead of a company of services like all the others around the world.

Again the meaning of this was a bit unclear to me, but I have tried to clean up the writing and fix some errors to improve readability.

It iscan be attribution ofed to the music, but more forto the director because in a very fartheringly way he is the conductor that moves the branch to the most highest levels of productivitiesy with the sound of music.

I call this the transcendentionce of music on behaviouring more than beyond the most brilliantest mind.