Music is transcends more than beyond the most brilliantest minds. Music transcends beyond the most brilliant minds.

Music is transcends more than beyond thethe most brilliantest mind. Music transcends the most brilliant mind.

"trascend" already means "go beyond"

Music is transcends more than beyond theeven the most brilliantest mind. Music transcends even the most brilliant mind.

The sum of the time that is this life in some moments contains the composition Some moments in the amount of time in this life contain harmony that a brilliant mind could to produce if the talent is abundant in his still rich lifeone has enough talent. Some moments in the amount of time in this life contain harmony that a brilliant mind could produce if one has enough talent.

Making shorter sentences would make them a lot easier to understand and correct.

The sum of the time that is this life in some moments contains thea harmonious composition in harmony that a brilliant mind could to produce if the talent iwas abundant in his still -rich life. The sum of the time that is this life in some moments contains a harmonious composition that a brilliant mind could produce if the talent was abundant in his still-rich life.

I wasn't certain what this part meant, but I have tried at least to correct the grammar and make it clearer.

I contemple sometimes if I have the possibility to interpret an instrument of music, and no boundaries stop me, then I choice the fiddle simple because it sees to me that percussion and strings marry so beautiful and no have comparison in the universe of the strings and the winds, and the percussionssometimes contemplate if I can ... I sometimes contemplate if I can ...

I couldn't correct the entire sentence because I had some trouble understanding what you wanted to say.

I contemple sometimes if I have the possibility to interpretsometimes think about what I would do if I could choose an instrument of music, andwith no boundaries stop me, then Iping me. I would choicose the fiddle simpley because it seems to me that percussion and strings marry so beautifully, and no havebecause there is no comparison in the universe of the strings and the wind instruments, and the percussions. I sometimes think about what I would do if I could choose an instrument with no boundaries stopping me. I would choose the fiddle simply because it seems to me that percussion and strings marry so beautifully, and because there is no comparison in the universe of strings and the wind instruments, and percussion.

I contemple sometimes wonder, if I haved the possiability to interpret an musical instrument of music, and no boundaries to stop me, then I'd choicose the fiddle simpsimple fiddle because it seems to me that percussion and strings marry so beautifully and no have no comparison in the universes of the strings and the winds, and the, winds or percussions. I sometimes wonder, if I had the ability to interpret a musical instrument, and no boundaries to stop me, then I'd choose the simple fiddle because it seems to me that percussion and strings marry so beautifully and have no comparison in the universes of strings, winds or percussions.

"contemplate" sounded a bit too formal here. "Ability" seemed more appropriate than "possibility" because you're talking about something you want to be able to do. I wasn't sure what "interpret" meant here so I left it, but a word like "master" might better convey your meaning. Otherwise I have fixed some typos and minor errors (e.g. noun "choice" to verb "choose", adjective "beautiful" to adverb "beautifully").

The director of the branch where I work for my life has more than frequent times sonatas play out of the ceiling speakers withrequently plays MOZART and RACHMANINOFF, and I only know this only because he is fansI can see the stack of CD’s andthat he leaves his boxes above the desk and you can to see when enter the roomon top of his desk. The director of the branch where I work frequently plays MOZART and RACHMANINOFF, and I only know this because I can see the stack of CDs that he leaves on top of his desk.

The director of the branch where I work for my life has more than frequent times sonatas play out of the ceiling speakers with MOZART and RACHMANINOFF, andrequently plays sonatas by Mozart and Rachmaninoff from the ceiling speakers. I know this only because he is fans ofenjoys CD’s and leaves his boxes above thehis desk andso you can to see whenthem when you enter the room. The director of the branch where I work frequently plays sonatas by Mozart and Rachmaninoff from the ceiling speakers. I know this only because he enjoys CDs and leaves his boxes above his desk so you can see them when you enter the room.

The director of the branch where I work for my life has more than frequent timely has sonatas playing out of the ceiling speakers, with MOZART and RACHMANINOFF, and. I know this only because he is a fans of CD’s and leaves his boxes above the desk, and you can to see whenthem when you enter the room. The director of the branch where I work frequently has sonatas playing out of the ceiling speakers, with MOZART and RACHMANINOFF. I know this only because he is a fan of CDs and leaves his boxes above the desk, and you can see them when you enter the room.

Split the sentence in two because it was very long. After modal verbs like "can" (and others like "will", "would", "might", "should") you should drop "to" from the infinitive, so "can see" rather than "can to see".

I no have idea of the motions or the keys the artist isthe artist makes or the keys they press when they performs the songs, but they catch something full ofevoke some contemplatoryive exploration of the self in all the peoples around the in the nearby cubicles that. I can only namedescribe it as transcendingent. I no have idea of the motions the artist makes or the keys they press when they perform the songs, but they evoke some contemplative exploration of the self in all the people in the nearby cubicles. I can only describe it as transcendent.

I no have no idea of the motions or the keys the artist is performsing the songs in, but they catch something full of contemplatory exploration of the self in all the peoples around the cubicles that I can only namecall transcending. I have no idea of the motions or the keys the artist is performing the songs in, but they catch something full of contemplatory exploration of the self in all the people around the cubicles that I can only call transcending.

I have theam fortunate toenough to be working with peoples who are very, very intelligents and no one has resistance for the magic the speakers spill in the ears of all in therene of them can resist the magic and beauty that comes out of those speakers. I am fortunate enough to be working with people who are very, very intelligent and none of them can resist the magic and beauty that comes out of those speakers.

More natural. People already includes more than one person so we don't say peoples

I have the good fortunate to working with peoples who are very, very intelligents; and no one hascan resistance for the magic the speakers spill in the ears of all in thereout into everyone's ears. I have the good fortune to work with people who are very, very intelligent; and no one can resist the magic the speakers spill out into everyone's ears.

I have the fortunate to working with peoples who are very very intelligents and no one has any resistance forto the magic the speakers spillpour into the ears of alleveryone in there. I have the fortune to work with people who are very very intelligent and no one has any resistance to the magic the speakers pour into the ears of everyone in there.

And mMany times I have discover that in my thinkings I welcome the fantasy of toed myself fantasizing about playing the fiddle, and I think that perhaps I could to do that in another reality. Many times I have discovered myself fantasizing about playing the fiddle, and I think that perhaps I could to do that in another reality.

And many times I have discovered that in my thinkings that I welcome the fantasy of to playing the fiddle, and perhaps I could to do that in another reality. And many times I have discovered that in my thinking that I welcome the fantasy of playing the fiddle, and perhaps I could do that in another reality.

After "of", it's always the "-ing" form of the verb used, not the to-infinitive.

And iIt is simple to lendgive the mind wanders inover to thoese fantasyies because ithe music has that aeffect the music, and many a other workers have confidential tod in me that they also fly in they’re minds when the director pre programs the changes that the music experiments all days, for to the sonatasir minds also take flight when the director puts on sonatas all day. It is simple to give the mind over to these fantasies because the music has that effect, and many other workers have confided in me that their minds also take flight when the director puts on sonatas all day.

And it is simple to lendt the mind wanders into those fantasyies because ithe music has that aeffect the music, and many aof the other workers have confidentiald to me that they also fly in they’reir minds when the director pre -programs the experimental changes thatin the music experiments all days, for into the sonatas. And it is simple to let the mind wander into those fantasies because the music has that effect, and many of the other workers have confided to me that they also fly in their minds when the director pre-programs the experimental changes in the music into the sonatas.

I wasn't sure what the part of the sentence after "the director pre programs..." meant, so I've made my best guess.

Maybe the others have more finely-tuned ears and can say the other instruments that the conductor conduces while the playing is happening,tell which instruments are being used: maybe a piano, and even a long black flute that produces music similar to saxos, and alsophones; and maybe they also connect to the sentiment and, in their thinkingsimaginations, also adopthave fantastic visrtuoso skills; and they play and play at the tempo ofgiven by the conductor,; and they never lossdrop a note, or a key, and if this is so, perhaps theywe all and I play togethering in the, imitations ofng the sounds of natures. Maybe the others have more finely-tuned ears and can tell which instruments are being used: maybe a piano, and even a long black flute that produces music similar to saxophones; and maybe they also connect to the sentiment and, in their imaginations, also have fantastic virtuoso skills; and they play and play at the tempo given by the conductor; and they never drop a note, or a key, and if this is so, perhaps we all play together, imitating the sounds of nature.

Maybe the others have more finer ears and can sayname the other instruments that the conductor conducesis leading while the playing is happening, maybe a piano, and even a long black flute that produces music similar to saxoes, and also maybe they also connect to the sentiment and in their thinkmingds also adopt fantastic visrtuoso skills and play and play at the tempo of the conductor, and never losse a note, or a key, and if this is so, perhaps they all and I play togethering in the imitations of the sounds of natures. Maybe the others have finer ears and can name the other instruments that the conductor is leading while the playing is happening, maybe a piano, and even a long black flute that produces music similar to saxes, and maybe they also connect to the sentiment and in their minds also adopt fantastic virtuoso skills and play and play at the tempo of the conductor, and never lose a note, or a key, and if this is so, perhaps they all and I play together in the imitations of the sounds of nature.

In the moment of the writing of this thinkingthese thoughts, the music changes with no warnings and in the sudden. Coincidentally, it is the coincidence that is PEARL JAMPearl Jam, and I know this because the worker two cubicles to my six o cloback puts up his hand in the symbol of rocka rock-and-roll symbol and stands up, and rices to petmitllowing every one to see his t-shirt and like cosmic divine inventions the tshirt is red and black and it says ared and black tee-shirt that reads "Alive" and PEARL JAM is on it"Pearl Jam". In the moment of writing these thoughts, the music changes with no warning. Coincidentally, it is Pearl Jam, and I know this because the worker two cubicles back puts his hand in a rock-and-roll symbol and stands up, allowing everyone to see his red and black tee-shirt that reads "Alive" and "Pearl Jam".

InAt the moment of the writing of this thinkingthat I am writing these thoughts, the music changes with no warnings and in the suddenly it is the coincidence that i's PEARL JAM and I know this because the worker two cubicles to my six o 'clock puts up his hand in the symbol of rock and stands up and ricses to petmitallow every one to see his t-shirt and like a cosmic divine inventions the t-shirt is red and black and it says "alive" and "PEARL JAM" is on it. At the moment that I am writing these thoughts, the music changes with no warning and in the suddenly it's PEARL JAM and I know this because the worker two cubicles to my six o'clock puts up his hand in the symbol of rock and stands up and rises to allow everyone to see his t-shirt and like a cosmic divine invention the t-shirt is red and black and it says "alive" and "PEARL JAM" is on it.

And in the middle of all of us are likers of RAEGGAETON or SALSA or POLKA or COUNTRY or ROCKAmong us are people who like reggaeton, salsa, polka, country, and rock; and inI person I consume the BLUES more time than othersally enjoy the blues most of the time, but we all kick it together to the rhythms of PEARL JAM and tearl Jam. The transcendental transfiguration of minds and bodies in the branch commences tooffice occurs again, and the fiddle is put down tolaid on the metaphorical floor and the metafisicalin favor of an electrical guitar comes to me and a lie down r. Riffs and chords to make a long solo, and all playin come the drums now, and lowbass guitars, and I know because we all look like a metronomical compostion of heads that baes, our heads banging to the bieat and never loss a bit, and ling it. Like that, the endless mix track ofrom the directors’s spills music into our ears from eclectic realms but mash inand leads to the only possible end, which is that music isas a connection and by. Through that connection to all, for all, from all, and by all, we transcend beyond the most brightest in all of us and are no longer individuals but all collective contributeing to the rich unity thatof this floor inof this branch ise office. Among us are people who like reggaeton, salsa, polka, country, and rock; and I personally enjoy the blues most of the time, but we all kick it together to the rhythms of Pearl Jam. The transcendental transfiguration of minds and bodies in the office occurs again, and the fiddle is laid on the metaphorical floor in favor of an electric guitar. Riffs and chords make a long solo, and in come the drums now, and bass guitars, and I know because we all look like metronomes, our heads banging to the beat and never losing it. Like that, the endless mix track from the director spills music into our ears from eclectic realms and leads to the only possible end, which is music as a connection. Through that connection to, for, from, and by all, we transcend the brightest in us and are no longer individuals but a collective contributing to the rich unity of this floor of the office.

Please write shorter sentences! It's very hard to parse these long sentences. It seems to be your writing style, but if readers have a hard time understanding what you're writing because your sentences are too long and tangled, then it's not effective.

And in the middle of, all of us are likers oflike RAEGGAETON or SALSA or POLKA or COUNTRY or ROCK and in person I consume thelisten to THE BLUES more timeoften than the others, but we kick it together to the rhythms of PEARL JAM and t. The transcendental transfiguration of minds and bodies in the branch commences to occurstarts happening again and the fiddle is put down ton the metaphorical floor and t. The metafisical electrphysical guitar comes to me and a lielays down riffs and chords to make a long solo and all playeveryone plays the drums now, and low guitars, and I know this because we all look like a metronomical composition of heads that bang to the bieat and never losse a bit, and leat. Like that, the endless mix track of the directors’s spill's pours music into our ears from eclectic realms but mash in the only possible end, which is that music is connection and by. In connection to all, for all, from all, and by all, we transcend beyond the most brightest in allpart of each of us and are no longer individuals but all collective, contributeing to the rich unity that this floor in thise branch is. And in the middle, all of us like REGGAETON or SALSA or POLKA or COUNTRY or ROCK and in person I listen to THE BLUES more often than the others, but we kick it together to the rhythms of PEARL JAM. The transcendental transfiguration of minds and bodies in the branch starts happening again and the fiddle is put down on the metaphorical floor. The metaphysical guitar comes to me and lays down riffs and chords to make a long solo and everyone plays the drums now, and low guitars, and I know this because we all look like a metronomical composition of heads that bang to the beat and never lose a beat. Like that, the endless mix track of the director's pours music into our ears from eclectic realms but mash in the only possible end, which is that music is connection. In connection to all, for all, from all, and by all, we transcend beyond the brightest part of each of us and are no longer individuals but a collective, contributing to the rich unity that this floor in the branch is.

A little while time ago, on a fantastical day we transcendsed to connection in the kingdom of music when we gather together fell into the supernaturals flow of SUMMER DAYS"Summer Days" bye MARTIN GARRIX AND MACKLEMORE AND FALL OUT BOY because wartin Garrix, Macklemore, and Fall Out Boy. We all waveingd our heads together to the motion of the sounds that spilled ontover us. A little while ago, on a fantastic day we transcended to connection in the kingdom of music when we fell into the supernatural flow of "Summer Days" by Martin Garrix, Macklemore, and Fall Out Boy. We all waved our heads to the sounds that spilled over us.

A little while time ago, on a fantastical day, we transcendsed to connectiong in the kingdom of music when we gathered together to the supernaturals flow of SUMMER DAYS bye MARTIN GARRIX ANDand MACKLEMORE ANDand FALL OUT BOY because we were all waveing our heads together to the motion of the sounds that spillpoured onto us. A little while ago, on a fantastical day, we transcended to connecting in the kingdom of music when we gathered together to the supernatural flow of SUMMER DAYS by MARTIN GARRIX and MACKLEMORE and FALL OUT BOY because we were all waving our heads together to the motion of the sounds that poured onto us.

No one perhaps assumePerhaps nobody seems to be aware of this because we all have jobs to do, and the papers oin theour cubicles waits to for no one, but I do and it gives a printam aware, and it sticks in themy memorys I keep. Perhaps nobody seems to be aware of this because we all have jobs to do, and the papers in our cubicles wait for no one, but I am aware, and it sticks in my memory.

No one perhaps assumePerhaps no one appears to be aware of this because all have jobs to do, and the papers on the cubicles waits to for no one, but I do and it gileaves a n imprint in the memoryies I keep. Perhaps no one appears to be aware of this because all have jobs to do, and the papers on the cubicles wait for no one, but I do and it leaves an imprint in the memories I keep.

I wasn't certain what "assumes" meant here, but I've guessed you're talking about no one giving off an outward appearance of the effect the music is having, and have chosen "appears" accordingly.

And in thisWhile reflectiong ofn thinkings I understands, I realize that the director is giving us the pure gift of music, and with that has merged us into a fusion of collectivale intelligences that no longer acts alone individually bu, but that functions as a system stemmings in this branch that other wise in nothing can to become a comtemplatory desteny for the sum of all of us, but a company of services like all others around the world.in this office. (I can't understand this sentence past this point) While reflecting on this, I realize that the director is giving us the pure gift of music, and that has merged us into a collective intelligence that no longer acts alone, but that functions as a system in this office. (I can't understand this sentence past this point)

And in this reflection of thinkingsng on my thoughts, I understand that the director is giving us the pure gift of music and with that has merged us into a fusion of collectivale intelligences that no longer acts alone individually but functions as a system stemm, resultings in this branch that, which is other wise in nothing can, being able to become a comntemplatory desteiny for the sum of all of us, butinstead of a company of services like all the others around the world. And in reflecting on my thoughts, I understand that the director is giving us the pure gift of music and with that has merged us into a fusion of collective intelligences that no longer acts alone but functions as a system, resulting in this branch, which is otherwise nothing, being able to become a contemplatory destiny for all of us, instead of a company of services like all the others around the world.

Again the meaning of this was a bit unclear to me, but I have tried to clean up the writing and fix some errors to improve readability.

We know best, and you now know best too. We know best, and you now know best too.

It is an attributione of the music, but more for the director because in a very farthering way he is the conductor that moves the branchoffice to the most highest levels of productivitiesy with the sound of music. It is an attribute of the music, but more for the director because in a way he is the conductor that moves the office to the highest levels of productivity with the sound of music.

It iscan be attribution ofed to the music, but more forto the director because in a very fartheringly way he is the conductor that moves the branch to the most highest levels of productivitiesy with the sound of music. It can be attributed to the music, but more to the director because in a very fatherly way he is the conductor that moves the branch to the highest levels of productivity with the sound of music.

I call this the transcendention of music behavioring more than beyond thece of the most brilliantest mind by music. I call this the transcendence of the most brilliant mind by music.

I call this the transcendentionce of music on behaviouring more than beyond the most brilliantest mind. I call this the transcendence of music on behaviour beyond the most brilliant mind.