《更多的隨機句子》（第十二部分）

许多日本人感受到的俄罗斯入侵乌克兰的残暴恐怖，在大渡直己（Naoki Ouwatari）2023年的油画《乌克兰的亡灵》中得到了恰如其分的表现。
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战后日本的商业化恰如其分地反映在Seto Akio2023年的油画《欢迎！到昭和时期。》
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礼弥：（笑）我想成为一朵花，而不是一个人。

安德烈：为什么这么令人愉快的胡说八道? 你就是你自己。为什么要改变什么呢？

婷：（若有所思地）也许整个创世的一部分存在于我们体内。

我们的身体已经经历了无数次变化，而在我们死后，我们存在的物质还会继续变化，直到永恒。

敏：（清了清嗓子）你们是不是读了太多 Ram Dass 或 Jack Kornfield 的书？

读书本身没什么不好，但难道直接经验不是更重要吗？

礼弥：就我个人而言，过多的哲学让我头疼。大多数哲学不过是空洞的智力游戏罢了。

Random Sentences #12

The horror of the brutality of Russia's invasion of Ukraine, which is a concern by many Japanese, is aptly conveyed in Naoki's ŌWATARI's 2023 oil painting "Ukuraina no bōrei II."

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The commercialization of post-war Japan in is aptly portrayed in Akio Seto's 2023 oil painting "Youkoso! Showa no Aida" [Welcome to the Showa Era].

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Rea: (laughter) I'd rather be a flower rather than a human.

Andrei: That statement is nonsense.
You are what you are.
Why should you need to change anything?

Ting: (wistfully) Maybe parts of the entire creation are in us.
Our bodies have morphed countless times, and after we die, the stuff of our existence will continue morphing until eternity.

Min: (clearing his throat) Haven't you dudes been reading too much Ram Dass or Jack Kornfield?
There's nothing wrong with reading per say, but isn't direct experience is more important?

Rea: Personally, too much philosophy gives me a headache.
Philosophy seems like a form of empty intellectual play.